It sounds like the product of Berghain mated with Profan: dark, reverb-dunked rhythms lost in pools of tape hiss, divergent patterns causing further confusion, crudely sampled patches of static. Pom Pom is Marcel Dettmann meets Marcel Marceau; punishing, but with tongue-in-cheek and a playful glint in its eye. If T. Raumschmiere is techno’s punk-rock, then Pom Pom is its No Wave.
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